黄宾虹先生在古画品评中认为:“倪迂渴笔,墨无渣滓,精洁不污,厚若丹青。其后惟僧渐江,为得斯趣。”可见水墨山水若不锤炼笔墨,则“非入枯硬,即流柔靡”。湖南青年山水画家肖忆忱深知黄宾虹先生关于笔墨论述之玄机,也十分喜欢先生的山水画,但他轻描摹重解读,在寻找与先生神交的境界。在他看来,山泉流鸣、巉岩峥嵘、树木葱茏、雾岚飘拂,只是他所要表达的绘画语言中借助的元素而已。他借助这些元素来构建自己心目中的“自成一格”的艺术圣殿。于是,他用心、用自己的人生经历来重塑自己的山水艺术。他追求人格上的孤独与脱俗,在艺术的追求上经历过无数次心灵的洗礼与蜕变。 Mr. Huang Binhong in the ancient painting reviews that: “Ni Yu thirsty pen, ink without dross, refined and not dirty, thick Danqing. Later monks Jianjiang, for fun.” , Then “non-Into hard, that is soft and soft flow”. Xiao Yi-chen, a young landscape painter in Hunan province, knows Mr. Huang Binhong’s ecstatic exposition of his ink and calligraphy. He also likes his landscape painting very much. In his opinion, the mountain stream rhyme, towering rocks Zhengrong, verdant trees, fog Lan floating, but he wanted to express the language of painting with the help of it. He used these elements to build his own “art temple”. So, he intentions, with their own life experiences to reshape their own landscape art. He pursued personality loneliness and refined, in the pursuit of art has experienced countless times the baptism of the soul and transformation.