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《乐记》是中国历史上首部关于音乐美学的理论著作。它结构完整,内容复杂,以朴素辩证唯物主义为理论基础,结合先秦时期的歌舞实践,详细而完整地阐释了音乐的实质、目的、作用等问题,对我国哲学、美学、社会学、宗教学和教育学等其他学科的发展有着极为深刻的影响。本文拟从音乐的本质、乐与礼之间的关系和“乐”之美三个方面来探讨《乐记》中的音乐美学思想。
“Music Notes” is the first Chinese theoretical history of music aesthetics. Its structure is complete and its content is complex. Based on simple dialectical materialism and the practice of song and dance during the pre-Qin period, it elaborates the essence, purpose and function of music in detail and in a complete way, and analyzes the problems of philosophy, aesthetics, sociology and religion And other disciplines such as pedagogy have a profound impact. This article intends to explore the music aesthetics in “Yue Ji” from three aspects: the nature of music, the relationship between music and ceremony, and the beauty of music.