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传统中国画自元明以降,随着“文人画”的逐渐兴起,社会审美观念由过去“两宋”院体绘画的工整细密、富丽严谨的审美情趣,逐步嬗变成了追求画家个人情感宣泄和艺术主张的“文人画”创作形式——即追求笔墨与心性的相互融合、讲求“天人合一”、“物我两忘”的艺术理想和创作观念,企望在物我、虚实、自然与心灵、审美主体与客体之间达成相对地和谐统一。
With the gradual rise of the “literati painting”, the traditional aesthetic concept of the Chinese painting has gradually changed from aesthetically pleasing and beautifully rigorous and rigorous aesthetic painting to the painter’s paintings in the past “Two Songs” Emotional catharsis and artistic proposition “literati painting ” creation form - that is, the pursuit of the integration of pen and ink and the heart, emphasizing the artistic ideal and creative concept of “harmony between man and nature”, " It is hoped that there will be a relatively harmonious unity between material reality, reality, nature and soul, aesthetic subject and object.