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在全面开创社会主义现代化建设新局面的历史时期,话剧创作如何适应新形势的需要,创作更多更好的作品,在社会主义精神文明建设中发挥更大的作用,这是我们应该认真探索的课题。近半年多来,北京人民艺术剧院陆续创作并演出了、《谁是强者?》、《吉庆有余》、《不尽长江》、《祸起萧墙》等几出新戏。这些作品在如何反映当前社会矛盾,描写社会主义新人和坚持革命现实主义的创作原则等方面,为我们的话剧创作提供了一些有益的经验。我想从这几出戏说起,对当前话剧创作的一些问题谈一点粗浅的意见。一
In the historical period when we fully opened up a new situation of socialist modernization, how to adapt drama writing to the needs of the new situation, to create more and better works, and to play a greater role in the construction of socialist spiritual civilization is what we should conscientiously explore Question. In the past six months or so, the Peoples Art Theater in Beijing has successively created and performed several new plays such as “Who is the Power?”, “Celebrating the Celebration of Kyrgyzstan”, “Endless of the Yangtze River” and “Cursing the Great Wall.” These works provide some useful experiences for our drama creation in terms of how to reflect the current social contradictions, describe the new socialist people and uphold the creative principle of revolutionary realism. I would like to start from these few plays, and talk about some issues in the current drama creation. one