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自“西乐东渐”的时代开始,如何才能有效地融汇民族音乐元素和西洋音乐技法就成为现当代民族音乐创作领域的一项经典议题。对于艺术歌曲这种“舶来”的艺术形式而言,通过融汇中西音乐元素而推进自身的民族化、本土化进程显得尤为迫切。鉴于钢琴伴奏是艺术歌曲不可或缺的重要组成部分,作为一名钢琴教育工作者,笔者在本文中拟从“化用民族化的音乐技法元素”和“巧用钢琴技法刻画音乐形象”这两个方面入手,援引当代艺术歌曲经典案例,来阐明如下的核心观点:当代经典艺术歌曲钢琴伴奏部分的创作要领在于表现民族化的音乐思维和审美心理特征,惟其如此,才能与时俱进地持续推进艺术歌曲及钢琴音乐的民族化、本土化进程。
Since the era of “East West Music”, how to effectively integrate national music elements and western music techniques has become a classic issue in the field of modern and contemporary ethnic music creation. As for the art form of art song “Shui Lai”, it is particularly urgent to promote its nationalization and localization through the integration of Chinese and Western music elements. In view of piano accompaniment is an indispensable part of art songs, as a piano educator, the author intends in this paper from the “use of national music techniques elements ” and “clever use of piano technique to portray music image ”To start from these two aspects, citing the classic case of contemporary art songs to clarify the following core points: Contemporary classical art songs piano accompaniment part of the essentials lies in the performance of national music thinking and aesthetic psychology characteristics, but only in this way, Advancing to continue to promote art songs and piano music nationalization, localization process.