学习书法多年,其中甘苦自知。多年学习,我基本以行书为基调,碑帖互参,取法广博。“夫行书非草非真,离方遁圆,在乎季孟之间,兼真者谓之真行,带草者谓之行草。”(张怀瓘语)古人虽寥寥数语,但蕴意极深。当代行书创作走向了多元的变化,如何能够在继承前人基础上写出自己的面目,一直是我苦苦寻求的路径。我认为学习书法,首先要渊博,从宏观上掌握了解书法 Learn calligraphy for many years, of which self-knowledge. Years of learning, I basically use the book as the keynote, rubbings mutual reference, take a broad approach. “Husband’s book non-grass non-true, away from the round escape, care about between the quarter and the moon, and the real person that the truth, the grass who said the line of grass.” (Zhang Huaiyan language) Although the ancients a few words, deep. The contemporary book writing has taken a number of changes. How to write his own style on the basis of his predecessors has always been a path that I seek hard. I think the study of calligraphy, first of all to be profound, grasp the macro from the understanding of calligraphy