本文探讨了福尔斯的名作《法国中尉的女人》中的贯穿小说的历史性文本、虚构性文本和元虚构性文本的主题,即神学和类比意义上的神创论的衰亡。这一主题的多重指涉使小说家在英国19世纪的历史、存在主义哲学和20世纪文艺理论中自由穿行,并以作品本身为隐喻指向现实,引发读者对存在主义的自由的领悟。 This article explores the themes of historic, fictional and metafictional texts throughout False’s masterpiece The French Lieutenant’s Woman, namely, the theological and analogical decline of creationism. The multiple references to this theme make the novelist walk freely throughout 19th-century British history, Existentialism and 20th-century literary theory, and use the work itself as a metaphor to point out the reality and lead readers to realize the existential freedom.