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美国“垮掉派”文学巨匠威廉.巴勒斯的《赤裸的午餐》由于其形式的实验性、非线性叙事结构和超现实的写作手法,就像立体主义绘画一样深奥、晦涩、杂乱而令人费解,所以迄今为止对这部关于毒品与吸毒的旷世之作的评论寥寥无几。本文试图从作者图示化的词汇、拼贴式的写作手段、超验主义视角以及所反映的存在主义哲学,揭示出作者笔下的“恶之花”是其获取人生与文学独特价值的超凡选择。
The “Naked Lunch” by William Burroughs, the American “Beatist” literary giant, is as profound, obscure, and messy as the Cubist paintings because of its experimental forms, non-linear narrative structures, and surrealistic writing techniques And it is puzzling, so far, there have been few comments on this monumental work on drugs and drug abuse. This paper attempts to reveal the author’s “flower of evil” from its pictorial vocabulary, collage style of writing, transcendentalism and existentialist philosophy as the unique way to acquire the unique value of life and literature Extraordinary choice.