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2009年12月25日至2010年2月3日,第十一届全国美术作品展览的获奖作品(包括金、银、铜、优秀奖作品)在中国美术馆与观众见面,与之同场展出的还有415件“获奖提名作品”。至此,第十一届全国美展具体的事务性工作画上句号。不过,美术界对本届全国美展的思考不会因此而停止。获奖作品是展览的焦点,它既体现出评委当前的价值判断标准,也以或隐或显的力量牵动着未来一段时期我国的美术创作格局。
From December 25, 2009 to February 3, 2010, the winning works of the 11th National Art Exhibition, including works of gold, silver and bronze, and excellent prizes, will be seen at the National Art Museum of China with the audience Out of 415 “award nominated works.” So far, the 11th National Art Exhibition concrete transactional work ends. However, the art world’s thinking on this national art exhibition will not stop there. The winning works are the focus of the exhibition, which not only reflects the judging criteria of the current judges’ value, but also affects the pattern of our country’s art creation for a period of time with implicit or explicit power.