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“空亭”在倪瓒山水画中屡见不鲜,是其画面表现形式上重要的艺术“符号”元素,也是构成倪瓒山水“人格物化”的重要载体。本文从构图形式和精神内涵两方面来解读倪画“空亭”的审美意蕴。
“Kiosk ” is common in Ni 瓒 landscape painting, which is an important symbol of art ’s expression on the screen. It is also an important carrier of Ni 瓒 landscape “personality materialization ”. This article interprets the aesthetic connotation of Ni painting “empty kiosk ” from two aspects of composition and spiritual connotation.