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明代永乐、宣德之后,「台阁体」形成,朝野书法处于既狂热又单一的时期。至成化、弘治年间,人们的审美意识才有所改变,出现了规模较大的草书热。且这些草书家们带有很强的叛逆意识,对明代「台阁体」书法产生强烈冲击,「南安体」、「南路体」、「梅花体」书法也随之产生。一「南安体」是指张弼草书。张弼(一四二五——一四八七),字汝弼,号东海,华亭人。成化进士,官至南安知府,故称「张南安」。「南安,小郡也,以张故为名邦。」张弼为官廉正,为人重气节,极有声誉。其公务之余雅爱诗书,不务家产,双袖清风,有「神仙太守」之称,朝廷官员及社会名流,多愿交之。
After the Ming Dynasty Yongle and Xuande, the formation of the “Taiwan Pavilion” and the calligraphy of the two countries were in a period of feverish and simple. To Chenghua, Hongzhi years, people’s aesthetic awareness has changed, there has been a large cursive heat. And these cursors have a strong sense of rebellion and have a strong impact on the calligraphy of the “Taiwan Pavilion” in the Ming Dynasty. The calligraphy of “Nanan Style”, “South Road Style” and “Plum Blossom Style” also emerge. A “Nanan Style” refers to Zhang Bi cursive script. Zhang Bi (1425 - 1487), the word Ru Bi, the East China Sea, Hua Ting people. Chenghua Jinshi, officials to Nanan Prefecture, so called “Zhang Nanan.” “Nanan County, also known as Zhang County, also known as Zhang State.” Officials Zheng Lian, a heavy man’s festival, a very good reputation. His official love of poetry and poetry, non-service property, double-breeze, “God immortal,” said the court officials and celebrities, more willing to pay.