非洲是一片孕育神秘与生机的土地,在曾经欧洲殖民和奴役的背景下,非洲艺术家脱离世界主流,原发性、自发性地去表达自我意图。他们所接触的艺术形式多种多样,很大一批在非洲活跃的艺术家是自学成才或者是通过师徒相传的方式来学习艺术,另一部分则在专业的美术院校中接受了相对正规的艺术教育。这两种方式下成长的艺术家,在他们的作品中显示出了明显的差异化,导致作品呈现不同的风貌。非洲的公共艺术正是在学院化与自发性的冲突中萌芽的,当前的非洲公共艺术更像是一个文化的大熔炉,对于外 Africa is a land that gives birth to mystery and vitality. Under the circumstances of the once European colonization and enslavement, African artists have been divorced from the mainstream of the world and spontaneously expressed their own self-intention. The variety of the forms of art they come into contact with are numerous and varied. A large group of artists active in Africa learn art from self-taught or through mentoring, while others receive relatively formal art in professional art schools education. The artists who grew up in these two ways showed obvious differences in their works, resulting in different appearances of the works. It is in the conflict between academicization and spontaneous that African public art sprouted. The current African public art is more like a melting pot of culture. For the outside world