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西奥多·德莱赛的处女作——《嘉莉妹妹》因真实反映二十世纪初期美国工业迅速发展阶段美国社会的阴暗面,且从未只言片语提到理想主义的说教和约束力,而遭众多作家谴责。其中,主人公嘉莉也一度被认为是工业时代由于人的欲望膨胀而致堕落的女性形象。本文从女性主义的角度出发,重新解读嘉莉妹妹的人生经历,指出嘉莉的形象,既是女性的堕落,也实现了依附男性角色下的艰难成长。
Theodore Dresser’s debut work - “Sister Carrie” is a real reflection of the dark side of American society in the rapid industrial development of the United States in the early twentieth century and has never been mentioned in the slightest words of idealism and restraint, The writer condemned. Among them, the heroine Carrie was once considered the industrial age due to the expansion of human desire caused by the decline of the female image. From the perspective of feminism, this article reinterprets Sister Carrie ’s life experience and points out that Carrie’ s image is both a fall of women and a difficult growth of men under the influence of attachment.