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琴与文学和文人的关系源远流长,魏晋时期,琴作为一种文化的象征符号,开始真正融入民族文化心理的深层结构之中。当时的许多文人将琴视为生命的一部分,诗作中琴音萦绕,大多数的琴歌和琴曲的标题也都具有深厚的文学内涵。魏晋时期琴与文学相互关系的确立,是与当时自然天真的时代追求和“以悲为美”的审美风尚分不开的。
The relationship between Qin and literature and literary people has a long history. In the Wei and Jin Dynasties, as a symbol of culture, the Qin began to really integrate into the deep structure of national cultural psychology. Many scholars at that time regarded the piano as part of life. There are many piano songs in the poems and most of the piano songs and the titles of the songs also have deep literary connotations. The establishment of the relationship between piano and literature in the Wei and Jin Dynasties was inseparable from the pursuit of natural innocence and the aesthetic fashion of “taking sorrow as beauty”.