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本文试图利用视觉透视理论,分析平面青铜纹饰传达出的三维多视觉空间关系,进而探究古人的造物心理和制作方法,为人类的视觉美寻求佐证。
This paper attempts to use the theory of visual perspective to analyze the three-dimensional multi-visual spatial relations conveyed by the planar bronze ornamentation, and then to explore the ancients’ creation psychology and making methods for evidence of human visual beauty.