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近几年来群众对相声现状不满。有的报刊为此展开专题讨论,分析原因并提出相声创作如何走出低谷的建议。读后颇有感触。但我以为问题的关键还在于如何保护和调动作者的积极性。目前全国专业相声作者不过10人,且大部分情绪不佳。有的已转向影视;有的索性搁笔不写;有的在无可奈何地应付局面。究竟是什么原因挫伤着作者的积极性呢?首先,相声创作之难不能为人们所理解和承认,因此作者感到苦恼。许多人以为写相声
In recent years, people are not satisfied with the current situation of comic dialogue. Some newspapers and magazines started a thematic discussion, analyzed the reasons and proposed how to get out of the valley comic dialogue proposal. After reading a lot of feelings. But I think the crux of the problem lies in how to protect and mobilize the enthusiasm of the author. At present, there are only 10 professional crosstalk authors in the country, and most of them are in poor mood. Some have turned to film and television; some simply put pen does not write; some are helpless to deal with the situation. What exactly dampens the enthusiasm of the author? First of all, the author is distressed because the difficulty of cross-vocal writing can not be understood and acknowledged by people. Many people think that writing comic dialogue