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文人画作为一种独立的画种,与中国历史上一支势力庞大非常重要的社会力量的形成发展壮大是分不开的。这一社会力量就是文人士大夫阶层。作为这一力量在艺术方面的反映和影响,文人画首先是作为文人影响社会文化导向的又一工具和重要力量,然后才是作为一种艺术形式而存在。所以文人士大夫的思想精神对文人画有着巨大的影响。要讨论文人画首先必须讨论文人。北宋中后期是中国文人画意识兴起与发展的重要时期,这个时期对于整个中国文人画思想乃至传统中国艺术的发展产生了重要的影响。从北宋中后期思想文化发展的状况与趋势以及宋学的发展角度入手,探寻蜀学的兴起与元祐文士集团的形成并进而探究文人画思想意识的形成过程和蜀学在这一过程中的地位与作用就是我本文想要探讨的话题。
As a kind of independent painting, literati painting can not be separated from the formation and development of a large and very powerful social force in Chinese history. This social force is literati and doctor class. As a reflection and influence of this power on the art, literati painting is first and foremost an additional tool and an important force for the literati to influence social and cultural orientation before it exists as an art form. Therefore, the mentality of literati and doctor has a huge impact on literati painting. To discuss literati painting must first discuss the literati. The middle and late Northern Song Dynasty is an important period for the rise and development of Chinese literati painting consciousness. This period had an important influence on the ideology of Chinese literati painting and even the development of traditional Chinese arts. Starting with the status and trends of ideological and cultural development in the middle and late Northern Song Dynasty and the development of Song Studies, we explore the rise of Shu Studies and the formation of Yuan You scholar groups and explore the formation process of Scholar’s paintings and Shu’s learning in this process Status and role is what I want to explore this topic.