众所周知,徐渭(1521-1593)是我国16世纪最杰出的画家,他创立的大写意花鸟画风前无古人。但有人认为他的画剑拔弩张,是刻露偏薄的颓唐之作;~([1])而陈师曾的《中国绘画史》等仅将徐渭当作受吴门画风影响的画家一笔带过。使人费解的是对同一个画家、同样的作品的评价如此冰火两重天,而这样的事恰恰发生在徐渭身上。更使人费解的是徐渭画中的落款竟然几乎看不到年款。~([2])而与他同时代、与他齐名,且有“青藤白阳”之称 As we all know, Xu Wei (1521-1593) is the most outstanding painter of our country in the 16th century. His freehand flower and bird painting was unprecedented. However, some people think that his paintings are rattling, revealing the thinness of the Tang dynasty; ~ ([1]) and Chen Shizeng’s “History of Chinese Painting” and so on, only treated Xu Wei as a painter influenced by Wu style. It is puzzling that the same painter, the same evaluation of works so mixed, and such a thing happens to Xu Wei. Even more puzzling is the amount of money Xu Wei painting actually barely see years of money. ~ ([2]) And with his contemporaries, and his par, and “Ivy white”