知道北京画画的人当中有个刘世彪,是在上个世纪八十年代中期。彼时,以快速消费乃至生硬嫁接西方现代艺术概念为显著特征的新潮美术方兴未艾;而刚开始热衷于表现地老天荒的时空母题,尚不能以画家姿态见容于主流艺术运动,甚至时常需要停下手中的画笔,为展览场馆仿制古代陶艺以维持生计的世彪,正在创作他的“红星球系列”组画。他每天所面对的, One of the people who knew Beijing’s painting was Liu Shibiao, who was in the mid-1980s. At that time, the trendy art featuring the rapid consumption and even the immaculate grafting of the concept of Western modern art was still in the ascendant. However, the time-space motif that began to be keen on the perpetual performance of the performance was still not able to be seen in the mainstream art movement as an artist and even stopped frequently In the brush, for the exhibition hall imitation of ancient pottery in order to survive in the world Biao, is creating his “Red Planet Series ” group painting. He faced every day,