推崇自然,是中国文化的主要精神,是中国古典美学的核心内容。然而自然观的问题,无论是在中国美学史还是西方美学史上,都是一个既绕道不开又是令人棘手的问题。过去,我们多从艺术品中自然美的表现方面,或从“自然”品格的风格学角度去讨论它,而较少对古典美学自然本体理论 Respect for nature is the main spirit of Chinese culture and is the core content of Chinese classical aesthetics. However, the question of the concept of nature, both in the history of Chinese aesthetics and in the history of western aesthetics, is a question that is neither detached nor troubling. In the past, we mainly discussed it from the aspect of the natural beauty of the artwork, or from the perspective of the style of “nature”, but less on the natural ontology of classical aesthetics