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本文是‘为帝国主义反动派服务的资产阶级文化’一书中的一章。对这本书,苏联‘共产党人’杂志一九五五年第四期曾有过批评,认为作者拟定了一个重大的题目,但却过多地搜罗了现象而未能更深入地涉及到问题的本质,在严格划分进步与反动文化的问题上也作得不够。本文虽有如上的缺点,但在一定程度上揭露了帝国主义反动的音乐的腐朽性,因此对於我国音乐工作者了解这些情况,仍然是有帮助的。此处发表的译文,是其中一章的节译。
This article is a chapter in the book ’Bourgeois culture’ serving the imperialist reactionaries. This book, criticized by the Soviet Union’s ’Communists’ magazine in the fourth issue of 1955, argues that the author has drawn up a major topic but has over-collected the phenomenon and failed to address the issue more deeply The nature of the division of progress and reactionary culture is not enough. Despite the above shortcomings, this article to a certain extent exposed the decadent nature of the imperialist reactionary music. Therefore, it is still helpful for our musicians to understand these situations. The translation published here is the translation of one of the chapters.