费里尼说:“梦是唯一的现实。”人一生约有三分之一的时间是在睡眠中度过,约有五分之一的时间在做梦。梦奥秘无穷,时而美妙如进入仙境,时而又被挥之不去的阴影所充斥。当梦与真实的界线失焦模糊,虚构与真实,欲望与礼教,正与反,现实与超现实,这样的冲突完全无法以常理逻辑推断。正是因为梦的复杂性,以电影这一媒介来呈现梦境世界是许多导演热衷尝试的内容。他们将梦境寄托于菲林片格之上,为我们留下了丰富的的遗产。当人们置身于电影院,放映厅的灯光暗淡下去,观众就仿佛闭上眼睛进入睡眠,同时也投入到银幕上呈现的梦境之中…… Fellini said: “Dreams are the only reality.” About a third of human life is spent in sleep, about a fifth of the time dreaming. Mystery dreams infinite, sometimes beautiful, such as into Wonderland, sometimes being lurked by the shadows. When the boundary between dream and reality is out of focus, fiction and truth, desire and etiquette are being opposed to reality and surreal, such conflicts can not be inferred from common sense logic. It is because of the complexity of dreams that presenting the world of dreams through the medium of cinema is something that many directors are keen to try. They pinned their dreams on the film box, leaving us a rich legacy. When people are in the cinema, auditorium lights dim, the audience seems to close your eyes to sleep, but also into the dream presented on the screen ... ...