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宗白华美学在全球化时代愈发彰显出“中华精神”。一方面宗白华的美学思想及其艺境论以生命为本体,追求生命精神的超越;另一方面宗白华“妙悟”为本的审美认识方式与生命本体有着内在关联,体现了生命与艺术一体化的境界。宗白华美学体系的成功创建与多元互补的方法论布局是密不可分的,因此支撑宗氏美学架构的方法论值得探究。从本体、经验到方法,宗白华将现代“中国美学”推向了一个新境界。
Zong Baihua aesthetics in the era of globalization more and more show “Chinese spirit ”. On the one hand, Zong Baihua’s aesthetics and his theory of art are based on life and pursue the transcendence of life spirit. On the other hand, the aesthetic understanding of Zong Baihua ’s “Miao Wu” is intrinsically related to life itself, The realm of life and art integration. The successful establishment of Zong Baihua’s aesthetic system is inseparable from the methodological layout of pluralism and complementarity. Therefore, the methodology supporting the structure of Zong’s aesthetic is worth exploring. From ontology, experience and method, Zong Baihua pushed modern “Chinese Aesthetics” to a new level.