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莫扎特钢琴奏鸣曲是其创作的重要领域,其中奏鸣曲式的运用又是构成莫扎特钢琴奏鸣曲的重要曲式结构之一。在典型的奏鸣曲式中,呈示部和再现部是作品结构的重要部分,展开部则是通过对主题材料、调式调性、织体等音乐的基本表现手段进行发展,使其成为音乐形象矛盾冲突的中心,同时也是全曲矛盾最尖锐、音乐发展最激烈的部分。本文以莫扎特十九首钢琴奏鸣曲为例,对其奏鸣曲式乐章中展开部开始处、结束处的调性运用进行探究,归纳梳理展开部“首尾”调性的处理运用与创作特征。
Mozart’s Piano Sonata is an important field of his creation, in which the use of sonata is one of the important forms of the music that make up the Mozart piano sonata. In the typical sonata, the presentation part and the reproduction part are the important parts of the work structure. The development part develops the basic presentation means of music such as theme material, tonality, texture and so on, making it become the conflict of the music image Center, but also the most acute contradictions of the whole song, the most intense part of music development. Taking Mozart’s nineteen piano sonatas as an example, this paper probes into the use of tonality at the beginning and the end of the expansion of the sonatas of the sonatas, and summarizes the handling, application and creation characteristics of the unfolding department “tail and tail ”.