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在巴特的概念体系内,文是悦与醉的起点而不是终点,醉与悦因为主体参与意指过程的构造和破坏而得以呈露。“文之悦”与“文之醉”一方面是文学话语主体性分裂的两个向度,同时又统一于批评的主体性之中。这种分裂与同一是人在现实中逃避负载意识形态的庸俗大众文化,即文学僵化的意指过程的选择。正确解读巴特的这两个重要概念,有助于深入理解后现代主义文学批评、文学阐释理论的共性内核。
In Bart’s conceptual system, the text is the starting point rather than the end of Yue and drunk, drunk and Yue because the main body involved means the process of construction and destruction to be exposed. On the one hand, the two dimensions of subjectivity of literary discourse and the subjectivity of criticism are united on the one hand. This kind of division and sameness is the vulgar mass culture that people in reality evade load ideology, that is, the literary rigidification means the process choice. Correctly interpreting these two important concepts of Barthes helps to understand deeply the common core of postmodernist literary criticism and literary interpretation theory.