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如果看到汉内斯·施密德的个人履历,很容易就会羡慕上他那些精彩的旅行经历,他的轨迹遍布非洲、中国内地、印度、印尼、新加坡和西藏等地,而最传奇的是1977年到1984年,他追随了超过250支乐队的巡演。与国内一些影像艺术中所体现出的温情脉脉的“雅文化”特征不同,汉内斯·施密德的作品始终洋溢着一种阳刚、健康的因素,这种乐观的气质伴随他年龄的增长越发显现出来,甚至可以说汉内斯·施密德就是一个极具“英雄主义”情节的艺术家。
If you look at Hannness Schmid’s resume, you can easily envy him on his wonderful travel experiences. His tracks are all over Africa, China, India, Indonesia, Singapore and Tibet. The most legendary From 1977 to 1984, he followed more than 250 bands on tour. In contrast with the “tender culture” characteristic of the sentiments reflected in some domestic video art, Hannes Schmid’s work is always imbued with a masculine and healthy factor that is optimistic with his age As growth grows more apparent, it can even be said that Hannes Schmidt is an artist with a very “heroism” plot.