小剧场戏剧,其实就是近距离戏剧。一自上个世纪80年代小剧场戏剧再次在我国兴起之后,从事小剧场戏剧的经营、制作、导演、表演的年轻人愈来愈多,这和小剧场戏剧的固有特点有关。相对大剧场而言,小剧场物理空间小,土木建筑较为简单,演出硬件设备无须重型庞大。制作经费不昂贵,无须动辄几十万或百千万。创作周期短,出品较快。人员较少,鲜有宏大的群众场面。排练与排练场地的解决较为便捷,有个能放下三四十张学生课桌的空间即可。 Small theater drama, in fact, is close theater. Since the rise and fall of small theater and theater in the 1980s in our country, more and more young people engaged in the operation, production, director and performance of small theater and theater plays, which are closely related to the inherent characteristics of theatrical theater. Relative to the theater, small theater physical space is small, civil architecture is relatively simple, performing hardware devices do not have to heavy heavy. Production costs are not expensive, without having to easily hundreds of thousands or millions. Short creative cycle, produced faster. Fewer staff, there is no grand mass scene. Rehearsal and rehearsal venues to solve more convenient, there is a place to drop thirty or forty students desks can be.