人们对绘画的兴趣,一部分来自于画面,另一部分可能来自对艺术家的了解。写实的画面,更多地指向事物的能指,可以直接借助画面进行解读;而非写实绘画,或以表现为主的绘画因其更多的倾向于所指,即意象背后的东西,因此除了画面本体以外,也可以借助于对画家的了解和画家自身的言说进行解读,这一点或许是人们更多地倾向于去了解创作者的原因了。从我个人的油画创作来说,主要是一种意向性的表达,力图将中国绘画元素融入油画创作,因此就有了从观察、觉受、体悟到表现的过程。说简单点,就是把看 People’s interest in painting, some from the picture, the other part may come from the artist’s understanding. Realistic pictures, pointing more to the signifier of things, can be interpreted directly by pictures. Non-realistic paintings or performance-oriented paintings tend to refer to the objects behind them because of their more inclination. Therefore, Outside of the ontology, it is also possible that people interpret the knowledge of the painter and the painter’s own words, perhaps because people tend to understand the creators more. From my personal oil painting creation, it is mainly a kind of intentional expression that seeks to integrate the elements of Chinese painting into oil painting creation. Therefore, there is a process of observation, feeling, comprehension and expression. To say simple, is to look