蒲松林的《聊斋志异》把重点放在了对“刺贪刺虐”和“笑骂”的挖掘上,在人和人心方面的表现则不够细微曲折。汪曾祺的改写就是想做个转变,多一点生活的细节,将重点转移到挖掘“人”和“人心”上来。参入己意,将自己的生活观和艺术观渗透进去,将时代的精神表现出来。 Pu Songlin’s Strange Stories of Liao Zhai focuses on the excavation of “punishing cruelty” and “laughed at by scolding”, and his performance in the aspect of people and people is not subtle and delicate. Wang Zengqi rewrite is to want to be a change, a little more details of life, the focus shifted to mining “people” and “people” up. Enter into one’s own meaning, infiltrate one’s own view of life and art, and show the spirit of the times.