在古代中国,鸟语花香大概最能唤起人的欢悦之情,所以古人对于花鸟的感情比起山水来似乎更为亲切。早在《诗经》中花鸟形象便成了一种抒情的手段:“桃之夭夭,灼灼其华。之子于归,宜家室家。”“后皇嘉树,桔徕服兮……行叱伯夷,置以为像兮。”(《诗经》);而孔子甚至把“多识于鸟兽草木之名”(《论语.阳货》)作为学习《诗经》的必要 In ancient China, flowers and birds were probably most aroused people’s joy, so the feelings of the ancients for birds and flowers seem to be more cordial than the landscape. As early as the “Book of Songs” in the image of birds and flowers has become a lyrical means: “Peach died, burning its China. Son of attribution, IKEA room. ... ”(“ The Book of Songs ”); and Confucius even referred to“ the name of the beast and the beast of plants and animals ”(“ The Analects of Confucius. ”) As a necessary part of studying The Book of Songs