由京都赋的代表作品《论都赋》、《两都赋》、《二京赋》中“长安事象”叙写的分析,可以看出,东汉时期的京都赋的风格有一个嬗变的轨迹。即:由“论”都到“绘”都,颂述功德的倾向趋于明显;由铺叙到扬厉,体物功能更为强化;由写物质繁富到写精神娱乐,文化意味更加浓郁。 From the analysis of the narration of “Chang An Incident ” in the representative works of Kyoto Fu, Du Fu, Du Fu and Er Jing Fu, it can be seen that the style of Kyoto Fu in Eastern Han Dynasty has a transmutation Trajectory. That is to say, the tendency of praising the merit tends to be obvious from the “theory” to the “painting”, and from the narration to the promotion, the functions of the body are more strengthened; from the writing of material wealth to the writing of entertainment and culture Means more rich.