《恶之花》不是一本普通意义上的诗歌集 ,而是一部构架严整的作品。本文通过描述和分析其中《巴黎图画》一章“白昼”和“黑夜”两个系列间的回旋特征 ,探索作品的“隐秘结构” ,揭示波德莱尔对待诗歌创作的独特态度 ,并阐释其作品的谋篇布局在美学和伦理两方面的根据。 “Flower of Evil” is not a collection of poems in the ordinary sense but a well-structured work. This article explores the unique structure of Baudelaire’s poetry creation by describing and analyzing the features of the “round day” and “night” in the “Parisian Picture” The plot layout of the works is based on both aesthetics and ethics.