一、北京人艺的创作谈到北京人艺的创作,就要提及于是之是如何组织我们写戏的。当时,我们在北京人艺进行创作时,拥有宽松的环境和自由的心态。那时候,于是之、英若诚和我们在谈到剧本时,不拘于形式,也不会想这个戏要获得什么奖。我感觉,武汉人艺在创作、演出上也是 First, the Beijing art creation Speaking of Beijing art creation, it is necessary to mention how so organized us to write drama. At that time, we had a relaxed environment and a free mind when writing art in Beijing. At that time, then, if Yorra and we were talking about the script, we would not mind the form nor would we expect any prize for this play. I feel, Wuhan art in the creation, performance is