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一不知是怎么了,近几年来,我虽然也翻看一些当代作家创作的散文作品,但在整个阅读过程中,不堪多于惊喜,厌烦多于享受。慢慢的,我更多的精力用在故纸堆中,从《诗经》到魏晋,从唐宋到明清,尽量去寻找古人身上的那么一种鲜灵生活的清气。清气是一切生命之源,也是文学作品的生命所在。可是,在当代的散文作品中,又为什么体现得那么少之又少呢?不可否认,当代文坛名家名作辈出,显示了一种蓬勃向上的生机和活力。名篇佳作于斯盛
I do not know what happened. In recent years, although I have also looked at the prose works created by some contemporary writers, I am more than surprised and annoyed more than enjoyment throughout the reading process. Slowly, I use more energy in the pile of paper, from the “Book of Songs” to the Wei and Jin Dynasties, from the Tang and Song Dynasties to the Ming and Qing Dynasties, try to find the ancestral body of such a fresh spirit of life Qing Qi. Qingqi is the source of all life, but also the life of literary works. However, in the contemporary prose works, why they are reflected in so few and fewer? It is undeniable that contemporary masterpieces of famous literary masters have shown a vigorous vigor and vitality. Famous masterpiece in Sheng