近年的小说作者们,没少攻击过“戏剧性”。我想,作为一种表现手法,“戏剧性”在小说中最突出的特点,便是它促成了情节演变中的某种惊人的巧合或反差,并借由这种巧合或反差而形成一个有趣而又有力的叙事上的终结。莫泊桑、欧·亨利等经典作家曾经为我们留下了运用这种手法的登峰造极的例子。在短篇小说《项链》中,女主人公所一直忧心忡忡的那根借来而丢失的珍贵项链,最后被证实竟是一文不值的假货。在短篇小说《警察和赞美 In recent years, novels have attacked “dramatic” novels. I think the most prominent feature of “dramatic” in the novel, as a manifestation, is that it has led to some astonishing coincidence or contrast in plot evolution and has made it interesting by this coincidence or contrast Powerful narrative on the end. Classic writers such as Maupassant and Ou Henry used to give us an example of the culmination of this tactic. In the short story “Necklace,” the precious, lost, precious necklace that the heroine has been worried about has finally proved worthless fake. In the short story "Police and Praise