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在清咸丰十二年浙江嵊县西乡发源地越剧,被称为“落地唱书”。越剧在中国虽然历史较短,可是经过在上海的全面繁荣发展之后,不仅吸取了昆剧、话剧等特色,进行了全方面的改革。由男子越剧到女子越剧为主的演变,后来还成为国家首批非物质文化遗产。受到大众的喜爱,也随之跃居中国五大戏曲剧种之一。然而对于这种改革现状与变化究竟对以后的发展有怎样的影响是本文的主要研究目的。
In the twelve years of Xianfeng County, Zhejiang Shengxian Xixiang originated Yue Opera, known as “landing on the book.” Although Yue Opera has a short history in China, after all-round prosperity and development in Shanghai, it not only learned the characteristics of Kunju Opera and Drama but also carried out all-round reform. The evolution from the male Yue Opera to the female Yue Opera became the first national intangible cultural heritage. Popular by the public, but also leapt to one of China’s five operas. However, it is the main purpose of this article to study how the status quo and change of this reform will affect future development.