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本文论述的是版画表现语言对个体绘画语言的形成是带来了新的可能性与拓展空间还是限制住了其语言的发挥。首先对版画语言作为绘画语言的一部分其基本概念及两者间的关系进行简单的解释。然后从一个创作实践者的角度对绘画基本语言在个体身上的形成及发展做出清晰的梳理。接着我将以个案实例来对两者之间的转换关系进行分析与讨论,结合自身的实践体会来解释它们给创作个体带来了些什么。最后阐述自己的观点,理性的判断,寻找到有效的解决方法。
This article discusses whether the language of printmaking imposes new possibilities and limits on the formation of individual drawing languages or limits its use of language. First of all, the basic concept of print language as a part of the painting language and the relationship between the two are briefly explained. Then, from the perspective of a creative practitioner, the formation and development of the basic language of painting in the individual body are clearly sorted out. Then I will analyze and discuss the conversion relations between the two cases by means of case examples and explain what they bring to the creative individual based on their own practical experience. Finally elaborated own viewpoint, the rational judgment, looked for the effective solution.