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中国戏曲艺术源远流长,吞吐万殊,其以唱念做打,综合对白、音乐、歌唱、舞蹈、武术、杂技等多种表演方式,以无作有,以虚作实,于咫尺之间绘极世间万态。乐而不淫,悲而不伤,中国文人骨子里的儒学气息,铸就了中国戏曲内敛而又自得的艺术品格。本文将从历史、戏剧、美学、心理等角度对中国戏曲的发展进程、艺术形态及内在审美作一番浅要论述,结合语文教学中的问题提出一点见解。
Traditional Chinese opera has a long history of handling many kinds of music. It performs various performances such as singing, dances, singing, dancing, martial arts and acrobatics. It takes no action, no imagination, World state of affairs. Le but not obscene, sad but not hurt, Confucianism in the Chinese literati bones, cast the Chinese opera introverted and self-satisfied artistic character. This article will make a brief discussion on the development process, art form and inner aesthetic of Chinese opera from the perspectives of history, drama, aesthetics and psychology, and put forward some suggestions based on the problems in Chinese teaching.