他写的是身体,呈现的却是个体的、国家的、民族的乃至全人类的灵魂。北野的《身体史》《分身术》具有一种内在爆发力,和多数诗歌内敛、含蓄的表达有所不同,他的诗歌语言是张扬的、冲动的、接近原始状态的心灵呓语。北野的诗充分体现了“和世界对峙”的诗歌理念,他不断地挑战、抗争外部世界,但个体生命是渺小的,随之而来的是更多的痛苦;痛苦把他湮没了,也把他的灵魂切割成无数碎片——正是这些碎片,折射了一个社会、一个时 He wrote about the body, presenting the soul of an individual, of a nation, of nations, and of all mankind. Kitano’s “history of body” and “apotheosis technique” have an inherent explosive force, which is different from the reserved and implicit expression of most poems. His poetic language is an assertive, impulsive and almost spiritual psychic. Kitano’s poetry fully embodies the poetic concept of “confrontation with the world”. He constantly challenges and contends for the outside world, but the individual life is small, followed by more suffering; the pain obliterates him, Also cut his soul into numerous fragments - it is these fragments that refraction of a society, a time