八大山人的字是很难评说的。曾见“博采众美,独标一格”、“开创了画家书法以篆书入行草的先河”、“兼有晋人韵味、唐人法度、宋人个性……”等评论,都有道理,却总觉未及关键。若以表象看,晋人风骨是显见的,晚期的行草书也的确可归于篆籀笔法,不只起收无迹,极少提按,转折处也几乎全用圆转。不过,客观看,八大山人是极少写篆、隶的,而他晚年独具个性的行草书 Badashanren word is hard to say. Have seen “Bocaizhongmei, a single standard ”, “to create a precedent for the artist calligraphy to seal scriptures”, “both Jin flavor, the Tang Dynasty, Song personality, etc.” Comments, it makes sense, but always feel less critical. If the appearance of view, the style of the Jin is obvious, the late line cursive script can indeed be attributed to seal 籀 stroke method, not only from no trace, rarely mentioning the turning point is almost entirely roundabout. However, objectively, Bada Shanren is rarely written Zhuan, Li, and his later years of unique personality cursive