文骥同志: 看了您近年来执导的三部影片《苏醒》、《都市里的村庄》和《锅碗瓢盆交响曲》,感到都很有特色。只是同时觉得影片里的男女主人公似乎给人一种孤独之感,使人有点儿惆怅茫然。《苏醒》里的女青年苏小梅,在帮助男友田丹解决了难题之后,本已扫除了他们之间的障碍,可是她却不辞而别,远走高飞了。这一怪异之举,我们思索了三年,兀自没有“苏醒。”《都市里的村庄》中的丁小亚,是一位先进工作者,然而她在工厂里却很不如意,到处都 Comrade Wen Ji: I saw the three films directed by you in recent years, “Awakening,” “Village in the City,” and “Symphony of Pots and Pans.” They all felt very distinctive. Just think at the same time that the heroine in the film seems to give a sense of loneliness, leaving a little melancholy. Su Xiaomei, a young woman in “Wake Up,” had already cleared away the obstacles between her and her boyfriend Tian Dan. However, she failed to say goodbye and flew away. This weird move, we think for three years, does not seem to be “awake.” Ding Xiaoya in “The Village in the City” is an advanced worker, but she is very unhappy in the factory, everywhere