Contextualizing his Foe (1986) in the backdrop of South African post-apartheid, Coetzee manipulates multifarious postmodern narrative ploys to purloin, rewrite and widen the canon Robinson Crusoe. In plural demonstrations of dualistic pat-terns, this novel emphatically unravels Coetzee’s textual subversion of the traditional overarching“western logocentrism”or“metaphysics of presence”via catechizing and debilitating the orthodoxy of the white supremacy as well as the male superiority. This detailed analysis, giving a Derridean reading, purports to anatomize and deconstruct the binary oppositions of Self/Other, White/Black, and Man/Woman among Cruso, Friday and Susan Barton, and reach Coetzee’s veritable concerns:to dissolve the Imperialist hierarchy and hegemony, to waive racial enclosure, and to build a dialogue that open up a real respect and coexis-tence for both the centered and the marginalized.