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罗伯特·罗德里格兹在其电影创作中,已形成了较为鲜明的影像风格。相比起其他电影大师们郑重其事地将电影作为自己表达玄思妙想的工具,以一颗玩心从事电影工作的罗德里格兹更倾向于将胶片当作自己肆意挥洒的画布,因而形成了自成一套的暴力美学表达方式。当人们在探讨罗德里格兹的电影成就时,暴力美学是无法回避的。文章从暴力书写与情绪宣泄、暴力行径与社会语境、暴力叙事与好莱坞奇观美学三方面,分析罗德里格兹电影的暴力美学。
Robert Rodriguez in its film creation, has formed a more distinctive image style. Compared to other film masters solemnly use the movie as their own tools to express mystical ideas, Rodriguez, who has a passion for the film, is more likely to regard the film as his canvas of wantonness. Formed a self-contained form of violent aesthetics. Violence aesthetics can not be evaded when people explore Rodriguez’s film achievements. The article analyzes the violence aesthetics of Rodriguez films from three aspects: violent writing and emotional catharsis, violent acts and social contexts, violent narration and Hollywood spectacle aesthetics.