论文部分内容阅读
《画山水序》在中国画论史上的地位是里程碑式的,它是第一篇关于山水画的总论,提出的一些观点震耳发聩,对后世产生了深远的影响。到今天已经成为画论史上重要的组成部分。以往对《画山水序》的研究,往往是通过哲学、史学和美学进行研究,分别解决了《画山水序》的指导思想、创作背景和审美意象的问题。本文通过文学视角,从文体、结构、修辞三方面,对《画山水序》进行新的审视,对其理论进行新的剖析,由文学切入画论,由画论导入美学,引发新的思考。
The status of “painting landscapes” in the history of Chinese painting theory is a milestone. It is the first general theory of landscape painting. Some of the opinions put forward in this book are devastating and have a profound impact on later generations. Today has become an important part of the history of Chinese painting. In the past, the research of “painting landscapes” often studied through philosophy, history and aesthetics, and solved the guiding ideology, creative background and aesthetic imagery of “painting landscapes” respectively. From the perspective of literature, this article carries out a new examination of “landscape painting” from three aspects: style, structure and rhetoric, and makes a new analysis of its theory. From the perspective of literature, the theory of painting is introduced into aesthetics and arousing new thinking.