上篇:目前的状况汉语言传统是注重伦理学的。中国古典小说,即使是最黄色的,如《肉蒲团》也包含了一个道德说教的外壳,再如《金瓶梅》,也是如此。中国当代男性作家并没有从根本上颠覆这一点,然而尽管如此,男性作家在“道德”方面还是受到了比女性作家严重得多的压力,当代小说家中男性作家在道德上受到的批评较多。但是据我观察,男性作家实在是被他们的性别给拖累了。在道德观念上,男性作家的意识并不象他们的小说本体意识那样前卫,例如 Part one: The current situation Chinese language tradition is ethnically oriented. Chinese classical novels, even the most yellow, such as “meat and futon” also contain a shell of moral preaching, such as “Golden Lotus,” as well. Chinese contemporary male writers have not fundamentally subverted this point. Nevertheless, however, male writers are still under a much more serious pressure than female writers on “morality”. The moral criticism of male writers among contemporary novelists is more many. However, according to my observation, male writers are really dragged by their gender. In the moral sense, the awareness of male writers is not as avant-garde as their ontological awareness of fiction, for example