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中国绘画强调虚空,认为与实相对的虚,并非空无,而是有流动散聚的元气弥漫其间。运用在绘画上,就画面空间经营与取景角度上,则形成两种空间表现,将归纳为虚的空间表现与复合透视的三远法。我们运用两种方法来表现画作的空间,达到心灵净化的作用与无限空间的想象,将自我主观思想、情感融入所描绘的景物中,不执着于客观景物的形似。以不着墨处的虚的空间衬托出实景的深远感与意象的空间。
Emphasizing emptiness in Chinese painting, it is not empty or void that the emptiness relative to the reality is realm. The use of painting, on the screen space management and viewfinder point of view, the formation of two kinds of space performance, will be summarized as virtual space performance and compound perspective of the three far methods. We use two methods to express the space of the paintings and achieve the function of spiritual purification and the imagination of infinite space. We integrate the self-subjective thoughts and emotions in the depicted scenery and are not attached to the appearance of the objective scenery. Do not ink at the virtual space set off a real sense of the depth and space of the image.