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一、漆器图式向漆画图式的转变我国是漆的发源国,传统漆艺术拥有深远的历史,经历了从漆器到漆画的发展过程。漆器,顾名思义,漆为器而服务,它的目的在于实用。在某种程度上说,它有着观赏及把玩的价值体现,归属工艺美学范围内,它也可视为形而下的。可是,漆画却完全不同。漆画是漆和画所组成,画是灵魂,漆是肉体,它是一种绘画和工艺结合的表现方式,具有形而上的审美价值。
First, the lacquer schema changes to the pattern of lacquer painting China is the country of origin of lacquer, the traditional lacquer art has a far-reaching history, has gone through from lacquer to lacquer painting development process. Lacquer, as the name implies, paint and serve, its purpose is practical. To a certain extent, it has the value of viewing and playing, which falls within the scope of process aesthetics. It can also be considered as a metaphysical. However, lacquer painting is completely different. Painting is the composition of paint and painting, painting is the soul, paint is the body, it is a combination of painting and craft expression, with metaphysical aesthetic value.