论文部分内容阅读
延喜5年(905),纪贯之等四人奉醍醐天皇敕令,编纂了《古今和歌集》。纪贯之写了《真名序》,纪淑望写了《假名序》。这两序系统叙述了和歌兴衰的历史,深刻论述了和歌的本质、作用、风格、内容、形式以及体例等问题。两序是日本较早的系统歌论,在日本文学史上,有着重要的历史意义,尤其给后世的歌学以至深的影响。我们从《古今和歌集》的两序中,能清楚地看到魏晋南北朝文论影响的痕迹。可以说,两序正是吸收了当时中国文论中的丰富营养,经过消化、改造,从而奠定了日本歌学的基础。
Yanxi five years (905), Ji Guanzhi four people from the emperor 敕 emperor order, compiled the “ancient and modern collection of songs.” Ji Guan wrote the “real name sequence”, Ji Shu-wang wrote a “pseudonym.” The two-part system narrates the history of the rise and fall of the poem and expounds the essence, function, style, content, form and style of the poem. The two sequences are the earlier Japanese systematic song theory, which has an important historical significance in the history of Japanese literature, especially for later generations. We can clearly see the traces of the influence of the literary theory in the Wei, Jin, Northern and Southern Dynasties from the two sequences of “Collection of Ancient and Modern Songs.” It can be said that the two sequences absorbed the rich nutrition in Chinese literary theory at the time, and after digestion and transformation, laid the foundation of Japanese songology.