新世纪以来,随着中国经济的飞速发展和都市化进程的加速,以现代都市为背景的国产电影异军突起。《地下铁》《夜·上海》《非诚勿扰》《窈窕绅士》等都市电影都曾获得广泛关注,特别是进入新世纪的第二个十年,在《失恋三十三天》《杜拉拉升职记》《北京遇上西雅图》等影片的引领之下,一个竞相拍摄都市片的风潮愈演愈烈。这种现象的出现对于中国电影产业来说无疑是非常可喜的,但是不得不指出的是,这股都市电影风潮中隐匿的一些文化症候也亟需我 Since the beginning of the new century, with the rapid development of China’s economy and the acceleration of the process of urbanization, domestically-produced movies based on the modern metropolis have been on the rise. Metro films such as “Night Shanghai”, “If You Are the One” and “Gentleman” have all attracted wide attention. Especially in the second decade of the new century, “Occupation Records” “Beijing meets Seattle” and other films under the guidance of a competing filming the growing trend of urban films. The emergence of such a phenomenon is undoubtedly very gratifying to the Chinese film industry, but I must point out that some of the cultural symptoms that are hidden in this trend of urban film are in urgent need of me