有人推陈出新,就有人开始怀旧。水木年华从校园民谣组合行将而来,十年中为大家奉献了许多脍炙人口的歌曲,他们的《一生有你》《中学时代》《墓志铭》实则都有着同一种音乐特征,如果要做一个标签式的定义,那便是“70后”。因此,在他们最新的翻唱专辑里,干脆以此作为主题——《生于七十年代》,简单明了。当我在读大学的时候,就曾经用吉他笨拙地练习弹唱着水木年华的歌。可想而知,卢庚戌和缪杰在清华求学的时候,也这样唱着他们前辈的歌曲:陈升《不再让你孤单》、齐豫《梦田》、罗大佑《野百合也有春天》……因为同根,且这张专辑选择的歌曲都紧密围绕着水木本身的气质,歌曲的改编方式也基本忠于原曲,这自然让听者觉得妥帖。如《梦田》,齐豫和潘越云的版本已成为20世纪华语流行音乐的不朽经典,水木年华除了在编曲部分朝着不插电更迈前了一 Some people innovation, some people start nostalgia. Shuimunianhua came from the campus folk combination came decades for everyone dedication of many popular songs, their “life has you” “middle school era” “epitaph” actually have the same kind of music features, if you want to make a label The definition of type, it is “after 70 ”. Therefore, in their latest cover album, simply as the theme - “born in the seventies”, simple and clear. When I was in college, I used to practice guitar awkwardly playing songs playing Mizuki wood. One can imagine, Lu Geng Xu and Miao Jie at Tsinghua school, they also sing songs of their predecessors: Chen Sheng “no longer let you alone”, “Yu-dream” of Choy Yu, “Lily there is spring” ...... Because the same root , And the album’s selection of songs are closely around the temperament Shuimu itself, the song’s adaptation is also basically loyal to the original song, which naturally let the listener feel appropriate. Such as “Dreamland”, the version of Qi Yu and Pan Yueyun has become an immortal classic of 20th century Chinese pop music, Mizuki Nintendo in addition to arranger part forward unplugged forward